Will the Hardesty Arts Center still have exhibitions?
Yes. During installation of THE EXPERIENCE, first floor gallery exhibitions will proceed as normal and will continue after THE EXPERIENCE opens. The second floor will have limited access during the installation phase.
How were Lead Artists selected?
Our inaugural group of Lead Artists was selected for their vast experience in many different disciplines. Lead Artists receive a stipend and materials budget for the project. In the future, artists will be selected through a Call to Artists application process.
Lead Artists are working together with staff to begin fleshing out concepts, defining logistics, and acquiring materials. Installation will begin in January 2018.
How does THE EXPERIENCE align with the mission of the Arts & Humanities Council of Tulsa?
Cultivating creativity by supporting artists and creating dynamic programming is at the core of AHCT’s mission and has been for decades. THE EXPERIENCE offers new access to experiential art that is unlike anything else currently in Tulsa.
ABOUT THE PROJECT
THE EXPERIENCE is an artist-driven, large-scale, fully immersive art installation that invites participants to explore a fantastical, multimedia environment through sight, sound, movement, and touch. This ambitious new project will completely transform the second floor of the Hardesty Arts Center. Five local lead artists will guide the creative direction of the project. The art itself will take the form of fantastical multimedia that guests experience and interact with as they move through the space. Additional announcements, including how the public can participate in THE EXPERIENCE, are forthcoming.
ARTIST WISH LIST
We need your help sourcing some specialized materials! Below is a list of items requested by lead artists. Items that are able to be carried by one person may be dropped off at the Hardesty Arts Center reception desk during public hours. Larger items that require two or more people to transport may be donated by appointment. Email Dr. Amber Litwack to set an appointment: email@example.com.
- Functional Treadmills
- Long Conveyor Belts
- Vehicle Lights
- Plastic Horse Toys – all sizes
- Truck Mirrors
- Airplane Doors
- Car Wash Brushes
- Carpet – clean remnants, pieces or squares – only in very bright colors or prints
- Plastic Flap doors (used in cooler entryways)
- Orange Plastic Pill Bottles
- Things with perforations (plastic sheeting, etc.)
- Window AC Unit
- Large Freestanding Space Heater
- Metal Muffin Tins (any condition, non-disposable)
- Scissor Lift
- Mechanical Bull
- Chicken Wire
- Zip Ties
- Computer Keyboards
- Scrabble Tiles
- Pianos in fair to good condition (4)
- Fall / Winter 2017 – Installation Begins
- Mid to late May 2018 – Public Opening
- January 2019 – Last Look
Program Inquiries: Dr. Amber Litwack – firstname.lastname@example.org
Media Inquiries: Lauren Collins – email@example.com
LEAD ARTIST BIOS
DAVID REED JAMES
Sculptor and Installation Artist
David Reed James has been a professional sculptor for more than 20 years. Since 1997 he has created huge, immersive sets and props for more than 50 major motion pictures including Avatar, Pirates of the Caribbean, Transformers, Team America, Jurassic World, National Treasure, Indiana Jones, Kill Bill, The Grinch, and Guardians of the Galaxy 2. His personal work employs whimsical conceptual and kinetic elements often created using discarded and repurposed materials. A great-stellated-dodecahedron shape made from real cheese pizza slices and a moving ring of dominoes that perpetually knock themselves down are some examples. In the summer of 2013 he moved to Tulsa where he spends his free time with his 9-year-old daughter.
I combine botanicals and found objects into something innovative and fresh. This is how I communicate with my community: contemporary designs in harmony with nature. I strive for a stimulating experience, one which turns the viewer into a participant with their surroundings. Drawn to the unique and unorthodox, I see art in the mundane and the ordinary. My work is based on a reinvention, creating environments that stimulate and engage on multiple levels of consciousness and perception. This is what I do.
Video Artist / Filmmaker
Jeremy Lamberton has produced art and film for over 20 years in Tulsa. His taste rooted in the surreal, Lamberton’s art uses seemingly ordinary images to reimagine time, space, and object. These shifts are accomplished through minimal editing techniques that typically begin as a single image edited repeatedly and intuitively. Jeremy’s work transforms ordinary situations; and through iterations, anthropomorphism, and repetition creates a disorienting experience. Lamberton carries the same leanings into his more cinematic efforts. Film credits include- director/ producer for “Biker Fox”, released and distributed by Cinedigm, and Producer for “Gorgeous Vortex” for the popular horror franchise “V/H/S: VIRAL” by Magnolia Pictures. In addition to his own artistic practice and film credits, Jeremy has been heavily involved with the Tulsa arts community for the past 20 years. His main capacity being the Co-Founder/Co-Director of the TULSA OVERGROUND FILM & MUSIC FESTIVAL, an annual event showcasing innovative films, bands, and new media from around the world. Lamberton considers all his efforts working in common towards his artistic vision and his desire for the absurd to exist. Inherent to his practice is an enthusiasm to expand audiences and their perceptions whether through curation, film production, or his artwork.
JP MORRISON LANS
Drawing and Installation Artist
JP Morrison Lans’ career began in 2000 when, at age sixteen, her figurative work was accepted for her exhibition, “Color” at the Tulsa Artists’ Coalition. In 2007, Lans received her BFA from The Kansas City Arts Institute. During her time in Kansas City, Lans co-owned and curated the Grothaus+Pearl Gallery. Lans returned to Tulsa in 2008 and continuing her work dedicated to the human experience; The “Beguiled Series” focused on subverting female rolls in fairytales and was followed by the “Luminescent Series” centered on the play of light against skin. In 2011, Lans received the Spotlight Honorarium from the Oklahoma Visual Arts Coalition to create “Mono-No-Aware”, an installation about the passage of time and how we carry our memories. Lans moved to Queensland, Australia in 2012. There she began the “Rorschach Series” of mirrored/mimicked figures and her piece “Mermaid” was purchased for the permanent collection of the Bundaberg Regional Art Gallery. In 2014, Lans returned to Tulsa and began work on “Wundrian” an installation for the New Genre Festival, 2015. “Wundrian” marked the beginning of Lans’ work animating drawings with LED and playing with concepts of home as self-portrait, fort building and evoking wonderment through immersive art.
Painter. Drawer. Musician.
I was born and raised in Tulsa, Oklahoma. I started drawing when I was pretty young and I never really stopped. I’ve always been compelled and addicted to creating things. Whether it’s drawing, painting, making music, or making videos, I don’t have to think about it. The urge is always there. I just sit down and go to work. My creative work includes painting, drawing, installations, music, video, and mural projects. I perform my own music and make videos under the name Daniel(s). I’m also in a band called And There Stand Empires.